Box office: ‘DC League of Super-Pets’ opens to $22 million

Even superhero dogs open at the top of the box office.

Animated comedy “DC League of Super-Pets” looks to top domestic charts in its opening, projecting a $22 million debut. The film earned $9.3 million from 4,314 theaters on its opening day, a figure that includes $2.2 million from Thursday advance ticket sales.

That’s enough because the release of Warner Bros. claims the top spot at the box office, but it’s far from the strongest opening for an animated film this summer. Disney’s “Lightyear” earned $50.2 million in its June opening, a total that was considered underwhelming for the “Toy Story” spinoff, which had a $200 million production budget. In July, Universal’s “Minions: The Rise of Gru” set a new bar for box office expectations for family films in a post-Covid-19 lockdown world, earning a sizeable opening of 107 million dollars for three days.

“Super-Pets” comes in below two summer releases. The film cost $90 million to produce, so it will hope to continue to appeal to family audiences ahead of back-to-school this fall.

Based on DC Comics’ Legion of Super-Pets, a team of furry friends of superheroes, “DC League of Super-Pets” features an all-star voice cast that includes Dwayne Johnson, Kevin Hart, Kate McKinnon, John Krasinski , Vanessa Bayer, Natasha Lyonne, Diego Luna, Thomas Middleditch, Ben Schwartz and Keanu Reeves.

Owen Gleiberman of Variety gave “Super-Pets” a positive review, writing that “the film, in its lighthearted, conventional, likable way, strips the stuff out of superhero fantasy. Its joke is that a mangy crew of animals doing weird magic tricks with CGI stunts is essentially what every comic book movie is.”

“Super-Pets” earned a slightly positive 60% approval rating from top critics on review aggregator site Rotten Tomatoes. The film also earned an “A-” grade through research firm Cinema Score, indicating resounding approval from the general public.

Also opening this weekend, “Vengeance” has $1.6 million nett from 998 locations. That’s enough to take tenth place on the national charts. Focus Features is handling distribution, while Blumhouse Productions produced the film, in association with Divide/Conquer.

BJ Novak wrote, directed and stars in “Vengeance,” which follows a reporter and podcaster who finds himself at the helm investigating a murder in Texas.

Universal’s “No” is creating strong competition for the top spot at the box office, projecting to take in $19 million in its second weekend.

That would mark a 57% drop for Jordan Peele’s new thriller, slightly above initial projections of a 60% drop. However, it is a more pronounced route than its two previous features. Peele’s 2017 outing “Get Out” fell 15.4% in its sophomore outing, while his 2019 follow-up “Us” plummeted 53.3%.

Audiences aren’t taking “No” as strongly as Peele’s previous work. Still, Universal’s thriller will extend its domestic haul past $80 million through Sunday, which is an impressive increase for an original film with nothing to promote beyond an odd presence and the names involved with the production. “No” has already recouped its $68 million production budget (though that doesn’t include marketing and distribution costs). The film begins its worldwide release in August.

Disney’s “Thor: Love and Thunder” appears to be in third place on the domestic charts. The Marvel Cinematic Universe earned $3.7 million on Friday, down 41% from the previous weekend. Having completed its fourth weekend at the box office, “Love and Thunder” should push its domestic haul past $300 million.

Universal’s “Minions: The Rise of Gru” is fourth. The animated spin-off isn’t giving up much ground to its “Super-Pets” competition, down 37% in its fifth weekend of release. “Rise of Gru” will surpass the $320 million domestic gross after Sunday, remaining the fifth-highest American release of 2022.

And then, of course, there’s the biggest movie of the summer. In its 10th weekend of release, Paramount’s “Top Gun: Maverick” has yet to break out of the top five on the domestic charts. The Tom Cruise sequel is forecasting a slight 17% drop from its previous outing, extending its domestic haul to $650 million.

“Maverick” is on the verge of making another dent in the top 10 domestic box office of all time. It already ranks as the ninth highest-grossing American release of all time. It now looks set to surpass “Jurassic World” ($652 million) and “Titanic” ($659 million) in the coming weeks.

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