Netflix is ​​finally taking a page from the rest of Hollywood

The first quarter of 2022 finally passed: Netflix had a bad quarter. He lost more than 200,000 subscribers and acknowledged that newer competitors such as Disney Plus and HBO Max were putting an end to the way the company had been doing business for nearly a decade. Now, Netflix is ​​moving away from the frantic release rate and medium-sized movies that made it an almost critical favorite with a new plan to make “bigger movies” at a “slower pace.” according to a report by The Hollywood Reporter.

You know, a little bit of what most Hollywood is already doing.

One of the main conclusions of The Hollywood Reporter’s piece is that while Netflix doesn’t seem to be exactly sure what it wants to do, it just wants to do it with more thought than it has done over the last decade.

But the last decade has not just been about flooding the area with content in an effort to quickly build a library that could try to rival those of Disney and Warner Bros. It was also discussed that Netflix was trying to bring a bit of the tech mindset to Hollywood. . In Hollywood, caution is key. The reason Hollywood moved away from the mid-range movies that Netflix briefly made its bread and butter is because Hollywood found greater and more consistent performances in big box office hits (usually involving some sort of superhero or an actor who plays a superhero in another franchise).

Netflix, with its almost endless source of cash and no need to please distributors or movie theaters, could afford to produce more varied content to try to secure people’s subscriptions every month. And it could further streamline big spending because it was trying to better understand the audience by meticulously analyzing spectator data that its competitors simply did not have access to.

Netflix was supposed to transform Hollywood. Instead, they are resorting to the same practices that turned their competitors into giants, only without the lucrative franchises, fandoms, and huge back catalogs that these same competitors enjoy.

Netflix is ​​already working on creating a new level of advertising subscription to ensure more subscribers are reluctant to spend cash on streaming wars. Peacock and Paramount Plus already have similar levels, and both Disney Plus and HBO Max plan to add ad-compatible levels as well.

Netflix is ​​also cracking down on password sharing, a practice that more than 100 million households say they use to prevent additional subscriptions. Previously, the company seemed to ignore password sharing, and sometimes even implicitly approved it. HBO Max, meanwhile, had built-in password-sharing mitigation.

But the biggest way Netflix is ​​now chasing the competition is how you choose which movies to make. CEO Ted Sarandos noted in Netflix’s latest call for profit that it would focus on “big-event movies,” and the company has spent the last few months mercilessly removing large parts of departments such as animation. which is usually more expensive to produce with lower yields). ), independent original feature films and live-action family action movies.

You’ll notice that two of these, animation and family live action, are also areas where Netflix’s biggest competitor, Disney, does great business. It’s almost as if Netflix is ​​doing what many film companies have done before: moving away from competing with Mouse House in areas it has historically dominated.

But since Disney is the largest producer and distributor of movies in the U.S. by a very wide margin, it has a near monopoly on cinemas and has a library of the biggest franchises in film history, moving away from its competition may not help. Netflix. And structuring yourself more like Hollywood may not help. When Bob Chapek took over as CEO of Disney, he quickly began reorganizing the company to become more of a technology company.

Trying to bring the tech ethos to Hollywood may not be a big win for Netflix, but the same cannot be said of its competitors.

Outreach: The Verge is currently producing a series with Netflix.

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